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Gabriel Basso is joining Julia Garner in Apple TV’s Guilty Creatures, adding another series regular to the upcoming true-crime thriller. Based on Mikita Brottman’s nonfiction book, the adaptation explores a Florida murder and the years of secrecy that followed. Basso’s character has not yet been identified in the casting coverage.
Radio Times reported the casting on October 21, identifying Basso as a series regular. The actor is known for playing Peter Sutherland in Netflix’s The Night Agent, giving the Apple TV project a lead performer already familiar to thriller audiences.
For viewers familiar with Basso through The Night Agent, the project introduces a different kind of thriller premise: a story concerned with a murder’s prolonged psychological consequences and the relationships surrounding it.
Basso joins previously announced series regulars Garner, Lewis Pullman, and Maddie Hasson. Mary-Louise Parker is attached in a recurring role.
Those distinctions establish the actors’ reported involvement without revealing how the adaptation will distribute the story among them. Basso’s casting does not yet identify which person he will portray or how his character connects to the central relationship.
That leaves a meaningful part of the announcement open. A recognizable actor can bring an audience to a project, but the character description will provide a clearer indication of what this particular role asks of him.
Garner’s involvement extends beyond acting: she is also an executive producer, and the project was developed through Tomorrow Studios’ first-look arrangement with her production company, Alma Margo. Basso’s addition expands the cast of a series whose lead performer is also involved behind the camera.

The source material is Brottman’s nonfiction book, Guilty Creatures: Sex, God, and Murder in Tallahassee, Florida.
Published in July 2024 by Atria/One Signal Publishers, the book gives interested viewers a way to explore the underlying case before the adaptation arrives. It is a nonfiction account, so reading it will reveal events that the television series may choose to introduce gradually.
According to the publisher’s description, the book examines the relationships between Mike and Denise Williams and their longtime friends Brian and Kathy Winchester. Their shared lives were disrupted when Mike disappeared during a hunting trip on Lake Seminole on December 16, 2000.
The account follows the suspicions that developed afterward, including Brian’s subsequent marriage to Denise, and the long path toward uncovering what happened.
Brottman’s background also helps explain the book’s emphasis. Simon & Schuster identifies her as a writer and psychoanalyst, and describes the work as an examination of the psychology of people living with responsibility for a killing.
That provides context for the adaptation’s premise without establishing exactly how the television version will organize events. The book’s chronology, perspective, and emphasis may be reshaped for the screen.
Apple officially announced Guilty Creatures on July 6. Its description centers on an adulterous relationship, a murder, and the emotional burden carried by two religious lovers over 18 years.
The premise gives the series a different emphasis from a straightforward search for a culprit. It creates room to examine the gap between public identity and private knowledge, and how a shared secret can influence a relationship over time.
That is the dramatic potential of the announced material, rather than an assessment of finished episodes. Casting news cannot establish the eventual balance between investigation, domestic drama, and psychological suspense.
It does, however, explain why the supporting ensemble matters. A story spanning years of concealed wrongdoing depends partly on the people around its central figures: what they notice, what they believe, and how their understanding changes.

Apple’s official series announcement names Craig Gillespie as director and executive producer, with Stuart Zicherman serving as showrunner and executive producer. Sarah DeLappe is adapting the book for television.
Tomorrow Studios is producing the series. The project was developed through its first-look arrangements with Garner’s Alma Margo and Gillespie’s Fortunate Jack Productions. Brottman is also an executive producer.
Gillespie’s previous credits include I, Tonya and Pam & Tommy, while DeLappe wrote Bodies Bodies Bodies. Zicherman’s credits include The Shrink Next Door and The Americans. Those backgrounds offer viewers a more concrete introduction to the filmmakers shaping the adaptation’s tone, writing, and direction.
The casting reports do not provide a premiere date for Guilty Creatures. Basso’s addition should therefore be understood as a production update, rather than evidence that the series is approaching an imminent streaming release.
For viewers following the project, the next useful details will be character announcements and Apple’s release plans. The ensemble is becoming clearer, while the adaptation’s precise shape—and when audiences will be able to watch it—remains to be revealed.
The post Gabriel Basso Joins Julia Garner in Apple TV’s Guilty Creatures appeared first on AppleMagazine.
Westminster appears to be waking up to warnings over AI safety, with concerns over its use by extremist groups and bad actors
“I have this sense that, within a few months, AI is going to be all anyone is talking about,” said one cabinet minister, with an ominous stare.
It was Labour conference, with everyone from ministers to activists jubilant at Andy Burnham’s takeover and a bounce in the polls after the change of leader.
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© Photograph: MASTER/Getty Images

© Photograph: MASTER/Getty Images

© Photograph: MASTER/Getty Images
How a string of bizarre events led writer Linda Geddes to don her sleuthing cap and dig into a world of shadowy impersonators
It started with an entirely ordinary interaction on LinkedIn. Someone had tagged me in a post, saying how much they’d enjoyed contributing to a New York Post article I’d written about “chronoworking”. As the author of a book about circadian rhythms, it was exactly the sort of subject I might write about. Except I’d never heard of this person, let alone interviewed them.
I clicked on the link and my stomach dropped. There, above an article about people who organise their working lives around their biological clocks, was my name: Linda Geddes.
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© Photograph: Adrian Sherratt/The Guardian

© Photograph: Adrian Sherratt/The Guardian

© Photograph: Adrian Sherratt/The Guardian
Bank of America has had to spend big on IT in response to an AI security audit and findings that its anti-money-laundering (AML) controls were lacking.
The bank was fined a whopping $1.2 billion for money laundering offences this week, after banking authorities identified a lax attitude to compliance.
“We understand the seriousness of compliance, and we are responsible for getting it right,” Bank of America CEO Brian Moynihan said on a conference call to discuss the company’s third-quarter financial results. “We have invested billions of dollars in technology and dedicated thousands of employees to combat financial crime,” he said, adding that “a couple hundred million” of that spending in the third quarter was on “remediation for the AML”.
The IT team had to spend a similar amount on fixing software vulnerabilities in its systems, a task that also required it to hire 1,000 consultants, Moynihan said.
The bank’s security vulnerabilities were revealed after the company received an early release of Claude Mythos Preview. In a report to the US House of Representatives Financial Services Committee, Anthropic said that Claude Mythos Preview “has already found thousands of high-severity vulnerabilities, including some in every major operating system and web browser.”
This article first appeared on CSO.

Current security procedures for training AI models are inadequate, hundreds of AI researchers have warned governments and the AI community. They are calling for tougher rules and the establishment of a new international body overseeing best practice for AI development.
In an open letter the AI specialists — 487, at time of publication, including many senior academics — called for more AI safety research and greater emphasis on containment technologies.
“Strong sandboxing mechanisms including air-gapping (disconnecting from the internet) should be used to provide high-assurance containment of cyber-capable AI models,” say the signatories, who include such luminaries as Geoffrey Hinton and Yoshua Bengio.
The experts said that a new international body, to be set up in consultation with governments and a wide range of AI and security specialists, could set new safety standards but also act as an organization to which containment failures could be reported, improving transparency for learning and accountability purposes.
The scientists’ demands go further than some recent calls for greater regulation of AI. Earlier this week, Microsoft president Brad Smith said AI is less regulated than washing machines or milk, although he made no firm proposals to rectify the situation. And the UK parliament is looking at ways to improve AI security, although any moves will be hampered by disagreement among AI businesses.
Hinton and Bengio are no strangers to this kind of scientist-led initiative. In October last year, they signed an open letter warning of the dangers of developing super-intelligent AI. The letter appears not to have affected AI’s breakneck development; it remains to be seen whether AI players in boardrooms will heed the warning.
This article first appeared on CSO.
