Reading view
MacVoices #26222: MacVoices Update – 2026-07
MacVoices #26219: Toby Schmitz, The Youngest Macstock Attendee, On Creativity and Entrepreneurship
MacVoices #26210: Live! – The MacVoices Live! Panel Wraps Up Macstock
MacVoices #26199: MacVoices Update – 2026-06
MacVoices #26189: NAB – Epidemic Sound Talks on Copyright, Creators, and Licensing
Como baixar vídeos do YouTube para assistir offline sem instalar programas
CompartilharDescubra como baixar vídeos do YouTube para assistir offline sem instalar programas, para ver quando não tiver uma conexão disponível. Como baixar vídeos do YouTube …
O post Como baixar vídeos do YouTube para assistir offline sem instalar programas apareceu primeiro em Blog do Edivaldo - Informações e Notícias sobre Linux.
YouTube Adds New Shorts Payout Rules To Partner Program Terms
YouTube announced Partner Program changes taking effect in 2027, including new Shorts earnings rules, activity checks, and a terms deadline.
The post YouTube Adds New Shorts Payout Rules To Partner Program Terms appeared first on Search Engine Journal.
YouTube now requires creators to have twice as many watch hours to start earning money
Liberdade de expressão não é liberdade de alcance
A detenção de Andrew Tate reabre a pergunta errada. O problema nunca foi ele poder falar - foi as plataformas terem transformado o que ele diz num produto, defende Elisa Tarzia.
The post Liberdade de expressão não é liberdade de alcance appeared first on Tek Notícias.
All the Ways to See The Story of Everything
Como instalar o cliente de YouTube Yewtube no Linux
Se você quer acessar o YouTube usando a linha de comando, conheça e veja como instalar o cliente de YouTube Yewtube no Linux.
Leia o restante do texto "Como instalar o cliente de YouTube Yewtube no Linux"
O post Como instalar o cliente de YouTube Yewtube no Linux apareceu primeiro em Blog do Edivaldo - Informações e Notícias sobre Linux.
Your YouTube Premium subscription will soon get a major free perk

U.S. YouTube Premium subscribers will soon get even more value from their membership through an expanded NBCUniversal partnership.
(via Cult of Mac - Your source for the latest Apple news, rumors, analysis, reviews, how-tos and deals.)
The roaring 20s: how the current decade revolutionised cinema
Pre-Covid, the movie landscape was dramatically different: YouTubers weren’t dominating the box office, video game spin-offs rarely made an impact and Winnie-the-Pooh wasn’t yet the star of a slasher movie. Why such a flurry of innovation – and what will be next?
Cinema has always been a medium of research and development. At any given point, the industry is searching for yet another breakthrough that can drive it into the future. Synchronised sound in the 1920s. Technicolor in the 1930s. The invention of the modern blockbuster in the 1970s.
Conversely, the consensus is that, if the 2020s has a defining trend, then it is one of decline. The theatrical experience is under attack from all angles: streaming, YouTube, a once-in-a-century health crisis that shut cinemas down entirely. And yet, if you look closer, this has actually been one of the most innovative decades that cinema has ever seen. Whether down to technology or desperation, the film industry has spent these last few years figuring out new ways to make films that simply could not have existed even at the turn of the decade.
Continue reading...
© Photograph: SKLAE/Signature Entertainment

© Photograph: SKLAE/Signature Entertainment

© Photograph: SKLAE/Signature Entertainment
Suno Hack and Audio Scraping
Jason Koebler (tweet, Reddit):
The AI music generation tool Suno scraped millions of songs and lyrics from YouTube Music, Deezer, and Genius, as well as from the stock music libraries Pond5, Jamendo, Freesound, the International Music Score Library Project, and podcasts via RSS feeds, according to a hacker who breached the company and shared data about Suno’s training libraries with 404 Media. The hacker was also able to access user information for hundreds of thousands of Suno’s customers, as well as Stripe payment information, they said.
[…]
As part of these legal proceedings, Suno previously admitted that it was trained on “essentially all music files of reasonable quality that are accessible on the open internet,” which included a total of “tens of millions of recordings.” Suno has been making the argument that it is allowed to train on copyrighted works as fair use in those cases, one of which has been settled.
Suno has long acknowledged that its AI music generator relied on the scraping of millions of songs available across the internet, but a new hack reveals just how the company pulled from streaming services and websites[…] all while user information remained vulnerable.
[…]
“Our goal has always been to help people create original new music, not replicate someone else’s. That’s why we build our models around what we call ‘Original Creation, By Design,’” the spokesperson said in a statement. “For example, we intentionally do not use artist names as a category of training metadata because we want our models to help people create brand new songs, not music that replicates other artists’ existing work. It’s also why we built Suno with detection filters that block or prevent a user from using specific artist, song, or album names as prompts, and prevent users from uploading lyrics or sound recordings that match existing works.”
Previously:
Meta and YouTube Addiction Lawsuits
Cecilia Kang, Ryan Mac, and Eli Tan (March, Hacker News):
The social media company Meta and the video streaming service YouTube harmed a young user with design features that were addictive and led to her mental health distress, a jury found on Wednesday, a landmark decision that could open social media companies to more lawsuits over users’ well-being.
[…]
Citing features like infinite scroll and algorithmic recommendations, K.G.M. sued Meta, which owns Instagram and Facebook, and Google’s YouTube, claiming they led to anxiety and depression.
For its part, the Wall Street Journal editorial board is standing up for beleaguered social media companies in an editorial today criticizing everything about these verdicts, including this specific means of liability, which it calls a “dodge” around Section 230.
[…]
Product design, though, is a different question. It would be a mistake, I think, to read Section 230 as a blanket allowance for any way platforms wish to use or display users’ posts. (Update: In part, that is because it is a free speech question.) From my entirely layman perspective, it has never struck me as entirely reasonable that the recommendations systems of these platforms should have no duty or expectation of care.
Nick Heer, on an April Massachusetts lawsuit:
To me, a non-lawyer, much of the actual text of the ruling (PDF) explaining why this lawsuit was not immediately turfed on Section 230 grounds seems pretty reasonable. For example, the judge says “[u]nder the default settings, Meta enables approximately forty types of notifications” for the Instagram app, which the government alleges “is designed to overwhelm young users and compel them repeatedly to reopen Instagram”. We can argue whether this is a meaningful thing for a government to police or if it is just another example of Meta resorting to tacky growth-hacking techniques instead of trusting their product is sufficiently compelling on its own. (Most days when I open Instagram in my browser, it puts a red badge over the notifications tab and suggests I have one new follower. I do not; I never have. It lies to me every time, presumably because it knows most people, including me, will usually click on that, thereby increasing a number on a dashboard somewhere.)
couple weeks back, Jonathan Haidt published another entry in his ongoing campaign to convince the world that social media is inherently ruining kids’ lives. This one was a victory lap titled “Seven Lines of Evidence Against Social Media,” treating recent developments — including the social media addiction verdicts against Meta that most people are misunderstanding — as vindication of his thesis.
[…]
But then something inconvenient happened for Haidt’s thesis: Pew went and did a brand new study exploring teens’ experiences on TikTok, Instagram, and Snapchat. This one asked the kids themselves.
[…]
Indeed, the research repeatedly suggests that for the very small number of kids who are facing mental health problems and overrelying on social media in response, the answer is a targeted intervention to help those individuals — not a broad “ban kids from social media” program.
Previously:
Como instalar o Youtube Downloader Plus no Linux via Flatpak
Se você quer baixar vídeos do YouTube ou outro streaming, conheça e veja como instalar o Youtube Downloader Plus no Linux via Flatpak.
Leia o restante do texto "Como instalar o Youtube Downloader Plus no Linux via Flatpak"
O post Como instalar o Youtube Downloader Plus no Linux via Flatpak apareceu primeiro em Blog do Edivaldo - Informações e Notícias sobre Linux.
A melhor maneira de assistir vídeos do YouTube no Linux
Assistir vídeos do YouTube no Linux ficou mais fácil e eficiente com ferramentas que evitam anúncios e garantem fluidez na reprodução.
O post A melhor maneira de assistir vídeos do YouTube no Linux apareceu primeiro em Blog do Edivaldo - Informações e Notícias sobre Linux.


