Over the past few years, I’ve spent a lot of time experimenting with different keyboards to find the one that works best for me when I game. I started with a classic mechanical keyboard before eventually migrating to the Razer DeathStalker V2 Pro Tenkeyless, which features Razer’s optical switches.
For a long time, I thought optical switches represented the pinnacle of gaming keyboard technology. They offered fast response times, smooth keystrokes, and a level of precision that traditional mechanical switches simply couldn’t match. Then Hall Effect keyboards began gaining traction, promising even greater customization through adjustable actuation, Rapid Trigger, and magnetic switch technology capable of tracking the exact position of every key press.
That shift has led many gamers to wonder whether Hall Effect keyboards are truly worth the hype or if they’re simply the latest trend in an increasingly competitive market. That’s what makes Razer’s entry into the Hall Effect space with the Huntsman V3 HE Magnetic Tenkeyless Keyboard so interesting.
The Huntsman has become one of Razer’s most recognizable gaming keyboard families, earning a strong following among gamers thanks to its combination of speed, premium design, and innovative switch technology. With the Huntsman V3 HE Magnetic, Razer is taking that foundation and adapting it for the next generation of gaming keyboards by introducing Hall Effect Magnetic Switches, advanced customization options, and features designed to compete with today’s top-performing gaming keyboards.
The Huntsman V3 HE Magnetic Tenkeyless is a wired gaming keyboard built around Razer’s new Hall Effect Magnetic Switches. Unlike traditional mechanical switches that register a keypress when metal contacts touch, Hall Effect switches use a magnet and sensor to continuously monitor key travel. This allows the keyboard to know exactly how far every key has been pressed at any given moment.
That precision enables several advanced features. Adjustable actuation lets users choose exactly when a key should register, from an incredibly shallow 0.1 mm all the way to 4.0 mm. Rapid Trigger resets a key as soon as it begins moving upward, making repeated inputs significantly faster than traditional fixed reset points. Razer also includes Snap Tap, Dynamic Keystroke, Snap Flex, and Dual-Keypress Priority, all designed to improve responsiveness and simplify complex inputs.
The Tenkeyless design removes the numeric keypad while keeping the function row and navigation keys intact, creating a smaller footprint that gives gamers more room for mouse movement without sacrificing everyday usability. The keyboard also features a 5052 aluminum alloy top case, textured doubleshot PBT keycaps, per-key Razer Chroma RGB lighting, pre-lubed stabilizers, and up to 8000 Hz HyperPolling for reduced input latency.
Designed for competitive gamers and enthusiasts who want maximum control over their keyboard experience, the Razer Huntsman V3 HE Magnetic Tenkeyless combines Hall Effect technology with the performance-focused features that have defined the Huntsman family.
The list price for the Razer Huntsman V3 HE Magnetic Tenkeyless is $139.99 and it’s available at razer.com, Razerstores and select retailers.
The first thing I noticed about the Huntsman V3 HE Magnetic Tenkeyless was how solid it feels. The aluminum top plate gives the keyboard a sturdy, premium feel, and I never noticed any flex while using it. It has the kind of build quality I’d expect from a keyboard in this price range.
I’ve always been a fan of tenkeyless keyboards because they offer a great balance between functionality and desk space, and that’s exactly what Razer has accomplished here. I don’t really miss having a dedicated number pad, but I do appreciate that the navigation cluster remains in its standard location. It makes the keyboard feel familiar whether I’m gaming, writing, or just browsing the web, while still giving me more room to move my mouse.
I also found the layout comfortable during longer gaming sessions. Even though it’s more compact than a full-size keyboard, it never felt cramped. Since the only thing that’s missing is the number pad, I still have access to all the keys I use on a daily basis.
The textured doubleshot PBT keycaps add to that premium feel. Compared to standard ABS keycaps, they have a firmer, slightly harder texture. It was a little different than what I was used to at first, but I quickly grew to like the feel. The larger keys, including the spacebar and shift keys, also feel very stable with very little movement or rattling.
I also like that Razer uses a detachable USB-C cable. It’s a small detail, but it gives me the flexibility to swap cables if I ever want to customize my setup or simply replace the included one.
Overall, I think the Huntsman V3 HE Magnetic easily feels like a premium $139.99 keyboard. Between the aluminum construction, quality keycaps, thoughtful layout, and excellent fit and finish, it feels well built for both gaming and everyday use.
While the Huntsman V3 HE Magnetic Tenkeyless is clearly built with gamers in mind, I found it to be just as enjoyable for everyday typing. Coming from the low-profile Razer DeathStalker V2 Pro Tenkeyless, there was definitely a small adjustment period. The taller keycaps and deeper key travel feel very different, but the keys are comfortably spaced and every keystroke feels solid and consistent. After a day or two, I felt completely at home using it for longer typing sessions.
Compared to both traditional mechanical switches and Razer’s optical switches, the Hall Effect Magnetic Switches have a unique feel. The best way I can describe them is that they have a little more bounce to them. They still feel smooth thanks to their linear design, but the overall typing experience is noticeably different from the keyboards I’ve used in the past. Even after several hours of writing, I never noticed my hands getting tired or uncomfortable.
The keycaps and stabilizers also deserve some credit. The textured doubleshot PBT keycaps feel durable and provide a solid typing surface, while the larger stabilized keys remain smooth and consistent without any noticeable wobble.
I also really like the way this keyboard sounds. It’s quieter than many traditional mechanical keyboards, but it still produces a satisfying clicky sound with each keypress. I don’t think it would be overly distracting in most office environments, although that obviously depends on how hard someone types. One thing I did notice is a slight echo when typing quickly. The sound seems to bounce off the aluminum frame and creates a subtle reverberation that actually adds a bit of personality to the typing experience rather than becoming distracting.
Overall, I think the Huntsman V3 HE Magnetic feels every bit as premium during everyday use as it does while gaming. It strikes a nice balance between performance and comfort, making it a keyboard I was happy to use throughout the day.
To put some numbers behind my experience, I also ran a typing test using MonkeyType.com. I averaged 85 words per minute with 99% accuracy and an 81% consistency score. Typing tests are always influenced by familiarity and individual typing habits, but I was happy with those results, especially considering I was transitioning from a low-profile keyboard to a traditional-height design.
One of my favorite aspects of the Huntsman V3 HE Magnetic Tenkeyless is just how easy it is to customize through Razer Synapse. I do want to point out that I have had limited time with testing the keyboard with the latest firmware since it was just released this morning. The software is clean, well organized, and easy to navigate. Once I selected the keyboard in Synapse, I had quick access to everything from actuation settings to RGB lighting without having to dig through complicated menus.
Adjusting the actuation point couldn’t be much easier. I simply selected the key I wanted to modify and used a slider to choose the actuation distance. It made experimenting with different settings quick and painless until I found what worked best for me.
For the most part, I found myself using one of two configurations. When I was working or writing, I usually left the keyboard at its default settings. When it was time to game, I switched over to the built-in FPS Rapid Trigger profile, which felt noticeably more responsive. I also really appreciated being able to switch between onboard profiles directly from the keyboard without needing to launch Synapse every time.
Razer includes several advanced gaming features like Dynamic Keystroke, Snap Flex, and Dual-Keypress Priority. I’m still experimenting with some of them, but they definitely have potential. The feature that stood out the most to me was Snap Tap. It made directional movement feel smoother and more responsive, especially in games where quick movement changes are important.
Even though Razer Synapse is currently only available for Windows, the keyboard itself works perfectly well without the software. I connected it to my MacBook Pro and had no issues using it for gaming or everyday tasks. The only downside is that macOS users currently miss out on Synapse’s advanced customization features.
RGB customization is just as straightforward as everything else in Synapse. Changing colors, effects, and brightness only takes a few clicks, making it easy to match the keyboard to the rest of my setup.
After spending time with the Razer Huntsman V3 HE Magnetic Tenkeyless, I came away impressed by just how refined Razer’s first Hall Effect keyboard feels. Rather than simply following the latest trend, Razer has taken what made the Huntsman lineup successful and paired it with magnetic switch technology that offers a meaningful increase in customization and responsiveness.
If you’ve been considering making the jump to a Hall Effect keyboard, the Razer Huntsman V3 HE Magnetic Tenkeyless makes a compelling case. It combines excellent build quality, extensive customization, and top-tier gaming performance into a package that feels built to last.
For more information, visit razer.com
There’s No Place Like Home, Snoopy is now available globally on Apple TV, beginning a new Peanuts adventure with the accidental sale of one of the comic strip’s most recognizable objects.
The 31-minute animated special follows Snoopy after his doghouse disappears during a yard sale. Charlie Brown attempts to help his devastated friend by organizing a search, but recovering the missing home becomes more difficult once it has left the neighborhood.
The story uses Snoopy’s doghouse as more than a familiar red prop. It is the place where he sleeps, stores his possessions and begins the imaginary adventures that transform him into a World War I flying ace, author and explorer.
Losing it removes the physical center of that private world. Charlie Brown and Snoopy must determine whether home depends on recovering the exact building or remaining close to the people and memories connected to it.
The Apple Original is rated TV-G and includes Dolby Atmos audio in supported languages and configurations. An Apple TV subscription is required, with availability extending across the Apple TV app and the service’s supported devices.
The central problem begins with an ordinary neighborhood event rather than one of Snoopy’s elaborate fantasies.
His doghouse is mistakenly treated as an item that can be sold. By the time Charlie Brown and the others understand what happened, Snoopy has lost the one place he regards as entirely his own.
The premise creates a recognizable childhood fear. A treasured object can appear unimportant to another person while carrying memories and emotional meaning for its owner.
Snoopy cannot explain that attachment through conventional dialogue. His reactions, imagination and physical comedy must communicate why the loss feels larger than a missing piece of outdoor furniture.
Charlie Brown responds by doing something he rarely manages for himself: taking charge with enough confidence to help someone else. His search gives the special momentum while preserving the uneven friendship at the center of many Peanuts stories.
Snoopy frequently ignores Charlie Brown, takes his meals for granted and escapes into fantasies. Charlie Brown continues caring for him even when the beagle’s behavior makes that affection difficult to return.
The missing doghouse reverses their normal relationship. Snoopy needs practical help, while Charlie Brown becomes the person capable of guiding him through the disappointment.
Charles M. Schulz turned Snoopy’s doghouse into one of the most flexible locations in the Peanuts comic strip.
From the outside, it is a simple red structure with a black entrance. Snoopy rarely sleeps inside it, preferring to rest on the pointed roof despite the physical impossibility of remaining balanced there.
The interior follows no ordinary rules. Comic storylines have suggested that it contains a pool table, television, library, guest rooms, paintings and other possessions that could not fit within its exterior dimensions.
Schulz generally avoided showing the complete interior. That decision allowed the doghouse to expand according to Snoopy’s imagination without requiring one definitive layout.
The roof also becomes the Sopwith Camel flown by the World War I flying ace. A few changes in posture and sound can transform a suburban backyard into an aerial battle with the Red Baron.
For Snoopy, the building is simultaneously a bedroom, stage, aircraft, writing desk and portal into imaginary lives. Selling it removes the starting point for nearly every identity he creates.
There’s No Place Like Home, Snoopy can therefore explore loss without introducing a permanent tragedy into the Peanuts world. The doghouse is physically replaceable, but Snoopy’s attachment to the original makes the search emotionally credible.
Riley Vargas voices Charlie Brown, while Terry McGurrin returns as Snoopy. McGurrin has become closely associated with the modern animated version of the character through Apple’s Peanuts programming.
Rob Tinkler voices Woodstock, the small yellow bird who frequently joins Snoopy’s adventures. Although Woodstock’s speech appears as rapid bird sounds, Snoopy understands him, allowing the pair to communicate without conventional dialogue.
Grace Nicolaou-Wood voices Sally, and Jo-Hannah Atchison performs Lucy. Kitai O’Garro plays Franklin, Josephine Nisbett voices Marcie and Lexi Perri voices Peppermint Patty.
Athan Giazitzidis appears as Linus, while Diego Whalen voices Rerun. Noah Paisley plays Milo.
The larger ensemble gives Charlie Brown access to the neighborhood network needed for a search without shifting the story away from Snoopy. Each character can respond differently to the problem according to an established personality.
Lucy may approach the situation with certainty, Linus with reflection and Sally with her own interpretation of what occurred. Woodstock has the closest connection to Snoopy’s private world and understands what the doghouse represents without requiring an explanation.
Ridd Sorensen directed There’s No Place Like Home, Snoopy, with Rob Boutilier serving as series director. Rob Hoegee wrote the special.
Executive producers include Josh Scherba, Stephanie Betts, Logan McPherson, Paige Braddock, Chris Bracco and Mark Evestaff.
The production continues Apple’s collaboration with WildBrain, Peanuts Worldwide and Lee Mendelson Film Productions. Those organizations combine modern animation production with the characters and creative legacy established by Schulz.
The special was produced in Canada and is available with extensive dubbing and subtitle support.
Audio descriptions are included across many of those language options. English playback supports Dolby Atmos and Dolby 5.1 on compatible equipment.
The wide localization reflects the international reach Peanuts developed long before streaming. Schulz’s comic strip appeared in more than 2,600 newspapers and reached readers across 75 countries.
Apple can now release one new animated story simultaneously across more than 100 countries and regions without waiting for separate broadcast schedules.
There’s No Place Like Home, Snoopy includes the original song “Home, Where Your Heart Found Me” by singer-songwriter Allen Stone.
Music has always occupied an important place in animated Peanuts productions. Vince Guaraldi’s jazz compositions became inseparable from the classic television specials, creating a musical identity that later productions must acknowledge without simply reproducing the same material.
An original song allows the new story to develop its own emotional language around home and attachment. It can express ideas that Snoopy cannot communicate verbally while avoiding the need for Charlie Brown to explain the complete meaning of the adventure.
The title connects home with an emotional discovery rather than an address or possession. That idea supports the special’s central distinction between the missing doghouse and the relationships Snoopy still has around him.
Apple previously expanded the musical side of its Peanuts catalog through Snoopy Presents: A Summer Musical, the first Peanuts musical special in decades. The addition of Allen Stone continues that willingness to use original songs rather than treating music only as background.
The special is available through the Apple TV app on iPhone, iPad, Mac, Apple TV 4K and Apple Vision Pro.
It can also be watched on supported smart televisions from manufacturers including Samsung, LG, Sony, Vizio and TCL. Roku, Amazon Fire TV, Google TV, PlayStation and Xbox devices provide additional access.
Web playback is available through tv.apple.com after signing in with an Apple Account carrying an active subscription.
Apple TV currently costs $12.99 per month in the United States and includes a seven-day trial for eligible new subscribers. Customers activating a qualifying new iPhone, iPad, Mac or Apple TV 4K may receive three free months, subject to Apple’s promotional conditions.
There’s No Place Like Home, Snoopy is presented as one complete special rather than an episodic series. Its 31-minute running time makes it closer to the length of traditional Peanuts television programs than a feature film.
Parents can locate it within the Kids & Family area of Apple TV. Its TV-G classification indicates that it is designed for a general audience, although rating systems and descriptions can vary by country.
Apple has served as the principal streaming home for Peanuts since 2020, combining classic holiday programs with new specials, series and documentaries.
The agreement has sometimes received attention because programs such as A Charlie Brown Christmas, A Charlie Brown Thanksgiving and It’s the Great Pumpkin, Charlie Brown spent decades appearing on broadcast television.
Apple has provided limited free streaming windows for major holiday titles, allowing people without a subscription to continue watching selected specials during their associated seasons.
The wider library includes The Snoopy Show, Snoopy in Space and Camp Snoopy. Original Snoopy Presents specials have focused on characters and subjects that received less attention in the earliest television productions.
One-of-a-Kind Marcie centered on Marcie’s quiet approach to leadership. Welcome Home, Franklin expanded Franklin’s introduction to the neighborhood, while Lucy’s School explored the group’s anxiety about change.
Apple also carries the documentaries Who Are You, Charlie Brown? and Peanuts in Space: Secrets of Apollo 10.
The service added This Is America, Charlie Brown and The Charlie Brown and Snoopy Show during July 2026, bringing more material from the 1980s into the same streaming catalog as the latest production.
Apple’s Peanuts partnership extends through 2030, giving WildBrain and Peanuts Worldwide several more years to create original series and specials for the service.
The most ambitious announced project is Snoopy Unleashed, an animated feature film currently in production.
That story will reverse the situation presented in There’s No Place Like Home, Snoopy. Instead of Charlie Brown searching for the doghouse, the Peanuts gang will search for Snoopy after he runs away to the Big City.
The larger setting will move Snoopy beyond the familiar neighborhood and require Charlie Brown, Lucy, Linus and the others to navigate an environment rarely explored in the comic strip.
Apple plans to release Snoopy Unleashed in 2027. Until then, Snoopy’s missing doghouse provides a smaller journey built around the same question the film will approach from another direction: what remains of home when the person or place associated with it disappears?
The post There’s No Place Like Home, Snoopy Arrives on Apple TV appeared first on AppleMagazine.
Firmware development company 3mdeb has officially launched the first open-source UEFI firmware for AMD's AM5 platform. In a blog post, the company announced Dasharo v0.9.0, featuring initial support for Zen 4 Phoenix APUs and MSI's Pro B850-P WiFi motherboard. The firmware is built on Coreboot and AMD's openSIL, the latter being AMD’s new open-source firmware framework.
The patch notes are comprised of 19 features to make the open-source code work on the B850 board, including the following: a UEFI-compatible boot interface, UEFI Secure Boot support, fTPM support, fast boot support, EFI system partition scanning, quiet boot and fast boot support, AMD CPU temperature reporting, and integrated SBOM.
Development of this open-source firmware for the MSI Pro B850-P has been an ongoing process over the past several months. We initially saw development announced in February, after 3mdeb developed an open-source firmware for the Gigabyte MZ33-AR1, a server board compatible with AMD EPYC 9005 series CPUs. Development of the open-source firmware version for the MSI Pro B850-P is based on the work done for the MZ33-AR1.
Dasharo is the first development team to produce open-source firmware for AMD's mainstream consumer AM5 platform. AMD is already looking to switch from AGESA to openSIL starting with Zen 6, but 3mdeb has opted to port AMD's openSIL firmware to older Ryzen CPUs.
Open-source firmware represents a big improvement over existing closed-source firmware solutions, particularly AGESA. AMD touts its openSIL firmware as being more secure than AGESA, with better platform security and better vulnerability tracking thanks to its open-source nature. Going open-source opens up room for experts and developers beyond AMD's own firmware development team to check for vulnerabilities in firmware code.
Another benefit of openSIL is that it is compatible with alternative firmware beyond UEFI, including Coreboot, oreboot, FortiBIOS, and Project µ. Projects like Coreboot also provide optimized code compared to closed-source firmwares, improving boot-time performance.
The new firmware can be found on the 3mdeb shop, under the MSI Pro B850-P hardware-firmware bundle.
The Jason Arday scandal is just the latest symptom of a much bigger problem in UK universities: collapsing standards, poor scholarship and a system that has let it happen, says Dr David McGrogan.
The post Bloody Awful Work Creeps in When Standards Are Relaxed appeared first on The Daily Sceptic.
There is something difficult to grasp about the number of lakes in Canada. A few thousand would already seem excessive. Tens of thousands would be hard to picture. Canada has more than two million by federal estimates, scattered across a landscape shaped by ice.
The number is so large that it almost stops meaning anything. You could visit a different Canadian lake every day for an entire lifetime and still see only a small fraction of them. On a map they appear as blue flecks, crowded together across the north, but each one is a real body of water with its own shoreline, islands, depths and surrounding ecosystem.
The often repeated claim that Canada holds around 60 per cent of the world’s lakes needs some qualification. There is no universally agreed count of every lake on Earth, because the result depends on what size of body is included and how lakes are distinguished from ponds, reservoirs and seasonal water.
One of the most widely used global databases, HydroLAKES, maps about 1.4 million lakes and reservoirs with a surface area of at least ten hectares. According to research describing the database, roughly 62 per cent of those water bodies are in Canada.
That does not mean Canada contains 62 per cent of the world’s freshwater. It means that nearly two-thirds of the lakes included in that particular global dataset lie inside Canada. The country nevertheless holds an enormous amount of water, and fresh water covers about eight per cent of its surface area.
The explanation lies largely in the Ice Ages. During repeated periods of glaciation, much of Canada was covered by continental ice sheets several kilometres thick. These were not static blocks of ice. They moved slowly across the land, grinding against the bedrock beneath them.
As the glaciers advanced and retreated, they scraped away soil and rock, deepened existing valleys and gouged countless depressions into the surface. When the climate warmed and the ice melted, water collected in those hollows.
The glaciers also carried enormous quantities of stone, sand and clay. As they withdrew, they left behind ridges and irregular piles of debris that blocked rivers and trapped meltwater. Some lakes formed in basins carved directly into rock. Others developed behind natural dams of glacial sediment.
This process happened across an immense area. The Canadian Shield, which stretches around Hudson Bay and across much of central and eastern Canada, is particularly full of exposed rock, shallow soil and water-filled depressions. From the air, much of the region looks less like solid land dotted with lakes than a broken mixture of rock, forest and water.
Some Canadian lakes are among the largest in the world. The Great Bear Lake and Great Slave Lake dominate the Northwest Territories, while parts of four of the five Great Lakes lie within Canada. But the extraordinary total comes mainly from the vast number of smaller lakes scattered across the country.
Many are remote enough to have no roads, settlements or permanent names. Some can be reached only by aircraft, canoe or long journeys through forest and tundra. Others sit within sight of towns and cities, forming part of ordinary Canadian life through fishing, swimming, transport, tourism and hydroelectric power.
The abundance of lakes also creates problems. Water may appear limitless, but it is unevenly distributed, often far from the country’s largest population centres. Pollution, warming temperatures, invasive species and changing rainfall patterns can still damage individual lakes, no matter how much water exists elsewhere.
Standing beside one cold lake in the Canadian bush, there would be no way to sense that it was one of more than two million. That is the odd thing about scale. From the shore, the lake is simply a place: water against rock, trees reflected on the surface, perhaps an island in the distance. Only from the level of a map or a database does it become part of something almost impossible to imagine.
The post More than two million lakes sit inside a single country, gouged out by Ice Age glaciers that spent tens of thousands of years grinding it into a landscape of water appeared first on Space Daily.
Scientists once suspected that a brutal, years-long winter starved the dinosaurs following an asteroid impact 66 million years ago. New evidence suggests a more violent end: widespread firestorms that may have burned even thick-skinned dinosaurs to a crisp within hours.
The roughly six-mile-wide (10-kilometer-wide) asteroid struck Mexico's Yucatán Peninsula, excavating the Chicxulub crater and vaporizing enormous quantities of rock. Some of that material condensed into tiny droplets called spherules, which spread around the planet before falling back through Earth's atmosphere at several miles per second.
As the spherules slowed, their kinetic energy became heat, producing an intense pulse of thermal radiation. Earlier models suggested the effect would have resembled a worldwide broiler that was potentially deadly to exposed, thin-skinned animals, but not powerful enough to ignite vegetation across the globe.
A new study argues that those calculations overlooked a crucial ingredient: a thick layer of fine silicate dust formed from rock vapor that did not initially condense into spherules. Evidence for that dust emerged in 2023 from the Tanis fossil site in North Dakota, where researchers identified a layer of extremely fine, impact-derived material deposited above the spherules. A similar dust layer has since been documented at the K–Pg boundary (which divides the "age of reptiles" and the "age of mammals") in Raton Basin across the Colorado–New Mexico border.
"It reinvigorated my interest in what happened to the leftover vapor — that's where this work started," lead author Brandon Johnson, a planetary scientist at Purdue University, said in a statement.
The dust would have acted like an insulating blanket, preventing thermal radiation from escaping into space and redirecting more heat toward Earth’s surface. The researchers estimated that the surface heat pulse could have been about 3.5 times more intense than what was suggested by models considering the falling spherules alone. "We're in the realm where we might be essentially killing off everything within that first hour or two," Johnson said.
The radiation may not have directly ignited thick pieces of wood, but it exceeded ignition thresholds for grass, lichen, and pine needles, which could have fueled larger fires. The study also found that exposed terrestrial animals may have received about 17 times the thermal dose considered lethal to humans.
Animals sheltering underground or in water would have had a better chance of surviving the initial heat pulse. Afterward, the same dust may have blocked sunlight for years, triggering the prolonged "impact winter" more typically blamed for the dinosaurs' extinction.
There is, however, a missing element: the wildfire evidence that supports this dust-caused inferno theory has only been found in North America. "It could be that we will eventually find the record of completely global wildfires," said Alfio Alessandro Chiarenza, a paleontologist at University College London who was not involved in the study. "We just don't have it so far."
The study was published on July 28 in the journal JGR Biogeosciences.
A previously overlooked set of spin symmetries has revealed that magnetism does not fit neatly into just two categories. For more than a century, physicists divided collinear magnets into two basic types. The discovery of altermagnetism has added a third, earning Professor Jairo Sinova of Johannes Gutenberg University Mainz (JGU), Dr. Libor Šmejkal and Professor [...]A solar eclipse, the Perseids, bright Venus after sunset, and a deep partial lunar eclipse highlight August’s skywatching.
A solar eclipse, one of the year’s best meteor showers, Venus at its brightest in the evening sky, and a lunar eclipse to close out the month.
That’s “What’s Up” for August.
On Aug. 12, a total solar eclipse crosses northern Russia, Greenland, Iceland, and northern Spain, with a small corner of Portugal inside the path of totality.
In parts of the United States, from Alaska to North Carolina, the eclipse is partial. The Moon will take only a small bite out of the Sun, and the amount of coverage will vary with location.
Remember to watch safely. Use certified eclipse glasses or a safe solar viewer any time any part of the Sun is visible. Regular sunglasses are not safe. And never use binoculars, a telescope, or a camera without a solar filter made for the front of the optics.
Later that same night, the Perseid meteor shower will light up the sky, peaking the evening of Aug. 12 into the early morning hours of the 13th. And with a New Moon arriving on the 12th, the skies will be ideally dark.
The Perseids happen every year when Earth passes through a debris stream left behind by Comet Swift-Tuttle. As those tiny bits of comet dust hit our atmosphere at high speed, they burn up as bright streaks of light.
To view this meteor shower, look toward the northeast once it’s fully dark and watch for the constellation Perseus to clear the horizon. This is where the meteors originate, but let your eyes wander, because they can flash across any part of the sky.
For the best view, stay out late as the stars climb higher, find a dark open spot, and give your eyes 30 minutes to adjust.
Aug. 14-16, Venus reaches its greatest eastern elongation, which is its widest apparent separation from the Sun during this evening appearance.
Look low in the western sky shortly after sunset for the bright object that will outshine every star around it. Through a telescope after sunset, Venus will look close to half lit, like a tiny lunar phase.
On the night of Aug. 27, continuing into Aug. 28 for some time zones, the Full Moon slips through Earth’s shadow, resulting in a partial lunar eclipse. It will be visible from much of North and South America and parts of Europe and Africa.
At maximum eclipse, about 93% of the Moon’s diameter will be inside Earth’s dark central shadow, called the umbra. The Moon will not be completely covered, but it can look dramatically darkened, with a rusty, coppery tint along the covered edge.
Unlike a solar eclipse, a lunar eclipse is safe to watch with just your eyes. Binoculars or a small telescope can give you a closer view of Earth’s curved shadow moving across the Moon.
Here are the phases of the Moon for August.
You can stay up to date on all of NASA’s missions exploring the solar system and beyond at science.nasa.gov. I’m Raquel Villanueva from NASA’s Jet Propulsion Laboratory, and that’s What’s Up for this month.
The post What’s Up: August 2026 Skywatching Tips from NASA appeared first on NASA Science.
A solar eclipse, the Perseids, bright Venus after sunset, and a deep partial lunar eclipse highlight August’s skywatching.
A solar eclipse, one of the year’s best meteor showers, Venus at its brightest in the evening sky, and a lunar eclipse to close out the month.
That’s “What’s Up” for August.
On Aug. 12, a total solar eclipse crosses northern Russia, Greenland, Iceland, and northern Spain, with a small corner of Portugal inside the path of totality.
In parts of the United States, from Alaska to North Carolina, the eclipse is partial. The Moon will take only a small bite out of the Sun, and the amount of coverage will vary with location.
Remember to watch safely. Use certified eclipse glasses or a safe solar viewer any time any part of the Sun is visible. Regular sunglasses are not safe. And never use binoculars, a telescope, or a camera without a solar filter made for the front of the optics.
Later that same night, the Perseid meteor shower will light up the sky, peaking the evening of Aug. 12 into the early morning hours of the 13th. And with a New Moon arriving on the 12th, the skies will be ideally dark.
The Perseids happen every year when Earth passes through a debris stream left behind by Comet Swift-Tuttle. As those tiny bits of comet dust hit our atmosphere at high speed, they burn up as bright streaks of light.
To view this meteor shower, look toward the northeast once it’s fully dark and watch for the constellation Perseus to clear the horizon. This is where the meteors originate, but let your eyes wander, because they can flash across any part of the sky.
For the best view, stay out late as the stars climb higher, find a dark open spot, and give your eyes 30 minutes to adjust.
Aug. 14-16, Venus reaches its greatest eastern elongation, which is its widest apparent separation from the Sun during this evening appearance.
Look low in the western sky shortly after sunset for the bright object that will outshine every star around it. Through a telescope after sunset, Venus will look close to half lit, like a tiny lunar phase.
On the night of Aug. 27, continuing into Aug. 28 for some time zones, the Full Moon slips through Earth’s shadow, resulting in a partial lunar eclipse. It will be visible from much of North and South America and parts of Europe and Africa.
At maximum eclipse, about 93% of the Moon’s diameter will be inside Earth’s dark central shadow, called the umbra. The Moon will not be completely covered, but it can look dramatically darkened, with a rusty, coppery tint along the covered edge.
Unlike a solar eclipse, a lunar eclipse is safe to watch with just your eyes. Binoculars or a small telescope can give you a closer view of Earth’s curved shadow moving across the Moon.
Here are the phases of the Moon for August.
You can stay up to date on all of NASA’s missions exploring the solar system and beyond at science.nasa.gov. I’m Raquel Villanueva from NASA’s Jet Propulsion Laboratory, and that’s What’s Up for this month.
Human eyes don’t register the infrared portion of the light spectrum because infrared photons don't carry enough energy to trigger the signaling pathway inside our light-sensing cells. But we’ve been able to make devices that give us a visual representation of what’s happening in the infrared.
A team at the Beijing Institute of Technology, led by Xin Tang and Ge Mu, has now built a device that lets people see infrared in a new way. Instead of just translating it to visible shades of green as it’s done in standard night-vision goggles, it translates different infrared wavelengths into distinct parts of the visual spectrum, giving the eye something closer to natural vision.
Researchers achieved that by combining mercury telluride colloidal quantum dots, which absorb infrared light, and a dual-layer OLED, which converts that absorbed energy into visible color. Stacked together with the right internal wiring, they make incoming infrared radiation come out the other side as an ordinary-looking, full-color image.
© Dmitri Toms
Human eyes don’t register the infrared portion of the light spectrum because infrared photons don't carry enough energy to trigger the signaling pathway inside our light-sensing cells. But we’ve been able to make devices that give us a visual representation of what’s happening in the infrared.
A team at the Beijing Institute of Technology, led by Xin Tang and Ge Mu, has now built a device that lets people see infrared in a new way. Instead of just translating it to visible shades of green as it’s done in standard night-vision goggles, it translates different infrared wavelengths into distinct parts of the visual spectrum, giving the eye something closer to natural vision.
Researchers achieved that by combining mercury telluride colloidal quantum dots, which absorb infrared light, and a dual-layer OLED, which converts that absorbed energy into visible color. Stacked together with the right internal wiring, they make incoming infrared radiation come out the other side as an ordinary-looking, full-color image.
© Dmitri Toms
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