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Apple TV Emmy nominees spill secrets: Michelle Pfeiffer, Elle Fanning, Rhea Seehorn, and more

Ashley Nicole Black, Dale Dickey, Elle Fanning, Michelle Pfeiffer, Karolina Wydra, Rhea Seehorn, and Jessica Williams attend "THR x Apple TV - Leading The Narrative: Women of Apple TV" at Spago on Aug. 2 in Beverly Hills. (Image: Maya Dehlin/The Hollywood Reporter Via Getty Images)
Ashley Nicole Black, Dale Dickey, Elle Fanning, Michelle Pfeiffer, Karolina Wydra, Rhea Seehorn, and Jessica Williams attend “THR x Apple TV – Leading The Narrative: Women of Apple TV” at Spago on Aug. 2 in Beverly Hills. (Image: Maya Dehlin/The Hollywood Reporter Via Getty Images)

Apple TV’s Emmy-nominated stars packed Spago for The Hollywood Reporter’s “Women of Apple TV” panel, where Michelle Pfeiffer confessed she never wants to lead a movie again, Elle Fanning celebrated the freedom to play messy and judged characters in Margo’s Got Money Troubles, and Rhea Seehorn pushed back hard on claims her Pluribus survivor is “unlikeable.” Jessica Williams, Dale Dickey, and Karolina Wydra joined the candid chat about complicated women, creative allies, and the pure joy of seeing roles this rich on screen.

Kirsten Chuba for The Hollywood Reporter:
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“THR x Apple TV’s Leading the Narrative: The Women of Apple TV” event took over Spago Beverly Hills for a conversation among Margo’s Got Money Troubles stars Michelle Pfeiffer and Elle Fanning, Pluribus‘ Rhea Seehorn and Karolina Wydra, Shrinking actress Jessica Williams and Widow’s Bay scene-stealer Dale Dickey, moderated by Shrinking writer-producer Ashley Nicole Black.

Black kicked off the panel — in front of a room full of influencers and tastemakers — by emphasizing, “I can’t believe all of these performances happened in the same season; I remember being a young woman where you would get one really cool female character per season. To get all of these iconic performances in one is just like, my mind is blown.”

Later in the conversation, Seehorn reacted to the feedback from some viewers that her character in Pluribus, one of only 13 people in the world immune to a virus that transformed the rest of humanity into a peaceful hive mind, is “unlikeable.”

“I disagree; personally I would have taken eight more episodes to get up off the floor so I think she’s kind of doing well, really,” teased Seehorn, who is up for lead actress in a drama series.

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MacDailyNews Take: Apple TV is steeped in quality, from writing to acting to directing, in so many interesting and varied series it’s actually the best value in streaming television today.


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The post Apple TV Emmy nominees spill secrets: Michelle Pfeiffer, Elle Fanning, Rhea Seehorn, and more appeared first on MacDailyNews.

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Darkest Black Ever? New “Ultra-Black” Automotive Coating with Carbon Nanotubes Absorbs over 99% of Visible Light


Scientists from Asia Pacific’s largest paint and coating manufacturer have developed a new “ultra-black” automotive coating using carbon nanotubes that absorbs over 99% of the light it receives, resulting in the darkest black of any currently available paint or coating.

The NIPSEA Group’s research team said its new ultra-black coating, which they describe as “deep, jet black,” meets stringent automotive standards, a critical requirement in markets like China, where trendy, luxury vehicles in the darkest colors are in high demand.

Carbon Nanotubes Absorb Light to Create Darkest Black “Ultra-Black” Coating

According to a statement announcing the new ultra-black coating, BMW first introduced a concept car in 2019 with a vertically aligned carbon nanotube (VACNT) array outer coating. Due to the unique material properties of carbon nanotubes, including the ability to bend or absorb light, the researchers said that its introduction “set off a race” among auto manufacturers to create a similar, ‘black hole’ effect with a pronounced dark appearance. 

“Automotive coating companies have been actively pursuing innovations in color technology to develop mass-processable ultra-black coating solutions with extreme blackness,” explained Zhiwei Liu, a research chemist with the company’s Color Technology Group, Core R&D, and an author on the study outlining the new coating.

The researchers note that ultra-black coatings are in unusually high demand in Asian countries, where having the darkest vehicle can represent a status symbol. has become a “key selling point” in China.

“Deep black finishes have long been the premium choice and signature color for luxury cars due to their elegant appearance, powerful visual impact, and luxurious undertone,” the researcher explained.

Although scientists have explored more practical ways to achieve the desired ultra-black effect, the new research once again leverages the unusual properties of carbon nanotubes to create an ultra-black coating that is darker than even the darkest commercially available alternative.

Creating a Stable Composite That Meets Automotive Standards

According to the team’s statement, they began by exploring methods to combine the benefits of carbon nanotubes with a black pigment that would serve as the coating’s color base. Critically, the team needed to create a nano-sized carbon black pigment-carbon nanotube composite that was also stable at a wide range of temperatures. and moisture conditions.

After exploring several formulations, Liu and colleagues succeeded in a stable nanotube-pigment composite. Next, the team incorporated the new carbon nanotube-based mixture into a coating binder and sprayed it onto a model car.

Because the new ultra-black coating uses structural absorption of light rather than the carbon black dispersion method used in current approaches, tests revealed an average absorption of 99.90% across all visible wavelengths. The team said its new coating also displayed “excellent long-term stability” during water and humidity tests.

Although the light absorption levels set a new standard for the darkest achievable automotive coating, Liu said advancements in dispersing technology and equipment leave his team “room for improvements.” The researcher highlighted potential advancements in “practical processability of carbon-nanotube-containing nanomaterials.”

Liu and colleagues also noted that increasing the proportion of carbon nanotubes in the material could further increase its light-absorbing capacity. However, they conceded, this approach “would also bring difficulties in industrial-grade processability.”

Future Improvements Include Even Darker Multi-Layer Options

When discussing potential future improvements, the team said scientists could fabricate multilayered ultra-black coatings. In theory, they note that this approach could result in a “gradient refractive index that reduces interface reflection and further enhances light absorption efficiency,” producing an even darker look than their single-layer version.

Although the ultra-black automotive coating is not yet commercially available, the team said they have already completed a “proof of concept” manufacturing design. Still, they conceded, given technical and regulatory challenges that remain, “it may still be a while before ultra-black cars made with this film will be able to hit the road.”

“Further efforts will focus on the verification of coating application window and the comprehensive film performance validations of carbon black pigment-carbon nanotube composite-based ultra-black automotive coating,” Liu concluded.

The study “Robust ultra-black automotive coating with structural absorption and high absorption efficiency based on waterborne carbon black/CNT composite” was published in Matter & Light.

Christopher Plain is a Science Fiction and Fantasy novelist and Head Science Writer at The Debrief. Follow and connect with him on X, learn about his books at plainfiction.com, or email him directly at christopher@thedebrief.org.

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