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MacVoices #26229: Macstock – Using Blockchain to Protect and Preserve Creator Content with Alessandra White

By: Chuck
10 August 2026 at 18:40
At Macstock, Alessandra White explains how blockchain can give creators greater control and permanence over their digital content. She discusses Hive, decentralized publishing, digital sovereignty, and ways creators can preserve posts and videos beyond centralized platforms. The conversation also examines blockchain’s permanence, including the trade-off that published material cannot simply be deleted…ever.  http://traffic.libsyn.com/maclevelten/MV26229.mp3 This MacVoices […]

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MacVoices #26222: MacVoices Update – 2026-07

By: Chuck
31 July 2026 at 13:26
The July MacVoices Update recaps a successful Macstock Conference, and highlights some changes inspired by the experience, including refreshed thumbnails, new streaming software and revised show notes. It also spotlights recent programming and he growing importance of MacVoices Magazine as the new OS versions are delivered. Chuck outlines some August scheduling issues, the new merchandise store, and offers thanks to Patreon supporters for making the shows possible.

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MacVoices #26219: Toby Schmitz, The Youngest Macstock Attendee, On Creativity and Entrepreneurship

By: Chuck
28 July 2026 at 21:25
Toby Schmitz was the youngest attendee at Macstock X, so his perspective on how the conference and the accompanying Ecamm Creator Camp gave him the confidence and practical guidance to begin his own YouTube channel, podcast, and livestream. He reflects on learning from a wide variety of sessions, the influence of his family of creators, […]

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MacVoices #26210: Live! – The MacVoices Live! Panel Wraps Up Macstock

By: Chuck
15 July 2026 at 20:25
The panel is back from Macstock and share highlights and lessons from the conference, including creative experimentation, podcast strategy, video production, accessibility, health, digital legacy planning, and useful Mac tools. Chuck Joiner, David Ginsburg, Marty Jencius, Eric Bolden, Brian Flanigan-Arthurs, Jim Rea, Web Bixby, Jeff Gamet, and Mark Fuccio reflect on the friendships and international […]

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MacVoices #26199: MacVoices Update – 2026-06

By: Chuck
1 July 2026 at 03:26
The June 2026 update, preview Chuck's upcoming trip to MacStock, encouraging attendees to introduce themselves. The also outlines the last of the  NAB interviews, recaps participation in MacPaw’s Flip the Script event during WWDC and announces the launch of the new MacVoices Merch Store. The update wraps by encouraging YouTube subscriptions and thanking Patreon supporters. 

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MacVoices #26189: NAB – Epidemic Sound Talks on Copyright, Creators, and Licensing

By: Chuck
23 June 2026 at 15:39
At NAB in Las Vegas, Alex Mavlios of Epidemic Sound explains how the company licenses music by acquiring full rights from artists, then offering secure usage across podcasts, video, social media, broadcast, and film. He addresses copyright risks, monetized content, artist royalties, pricing from creator plans to enterprise licenses, and why perpetual licensing helps creators avoid future rights disputes. 

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Liberdade de expressão não é liberdade de alcance

10 August 2026 at 19:14

A detenção de Andrew Tate reabre a pergunta errada. O problema nunca foi ele poder falar - foi as plataformas terem transformado o que ele diz num produto, defende Elisa Tarzia.

The post Liberdade de expressão não é liberdade de alcance appeared first on Tek Notícias.

4K Video Downloader Plus 26.2

2 August 2026 at 19:47
4K Video Downloader Plus 26 icon
Brings better file organization and smarter YouTube channel subscriptions to the video downloading utility. (Free with paid license options, free update, 271.6 MB, macOS 12+)

macOS Hidden Treasures: Quick Look

The roaring 20s: how the current decade revolutionised cinema

23 July 2026 at 16:00

Pre-Covid, the movie landscape was dramatically different: YouTubers weren’t dominating the box office, video game spin-offs rarely made an impact and Winnie-the-Pooh wasn’t yet the star of a slasher movie. Why such a flurry of innovation – and what will be next?

Cinema has always been a medium of research and development. At any given point, the industry is searching for yet another breakthrough that can drive it into the future. Synchronised sound in the 1920s. Technicolor in the 1930s. The invention of the modern blockbuster in the 1970s.

Conversely, the consensus is that, if the 2020s has a defining trend, then it is one of decline. The theatrical experience is under attack from all angles: streaming, YouTube, a once-in-a-century health crisis that shut cinemas down entirely. And yet, if you look closer, this has actually been one of the most innovative decades that cinema has ever seen. Whether down to technology or desperation, the film industry has spent these last few years figuring out new ways to make films that simply could not have existed even at the turn of the decade.

Continue reading...

© Photograph: SKLAE/Signature Entertainment

© Photograph: SKLAE/Signature Entertainment

© Photograph: SKLAE/Signature Entertainment

Suno Hack and Audio Scraping

16 July 2026 at 20:42

Jason Koebler (tweet, Reddit):

The AI music generation tool Suno scraped millions of songs and lyrics from YouTube Music, Deezer, and Genius, as well as from the stock music libraries Pond5, Jamendo, Freesound, the International Music Score Library Project, and podcasts via RSS feeds, according to a hacker who breached the company and shared data about Suno’s training libraries with 404 Media. The hacker was also able to access user information for hundreds of thousands of Suno’s customers, as well as Stripe payment information, they said.

[…]

As part of these legal proceedings, Suno previously admitted that it was trained on “essentially all music files of reasonable quality that are accessible on the open internet,” which included a total of “tens of millions of recordings.” Suno has been making the argument that it is allowed to train on copyrighted works as fair use in those cases, one of which has been settled.

Corbin Bolies:

Suno has long acknowledged that its AI music generator relied on the scraping of millions of songs available across the internet, but a new hack reveals just how the company pulled from streaming services and websites[…] all while user information remained vulnerable.

[…]

“Our goal has always been to help people create original new music, not replicate someone else’s. That’s why we build our models around what we call ‘Original Creation, By Design,’” the spokesperson said in a statement. “For example, we intentionally do not use artist names as a category of training metadata because we want our models to help people create brand new songs, not music that replicates other artists’ existing work. It’s also why we built Suno with detection filters that block or prevent a user from using specific artist, song, or album names as prompts, and prevent users from uploading lyrics or sound recordings that match existing works.”

Previously:

Meta and YouTube Addiction Lawsuits

1 July 2026 at 21:05

Cecilia Kang, Ryan Mac, and Eli Tan (March, Hacker News):

The social media company Meta and the video streaming service YouTube harmed a young user with design features that were addictive and led to her mental health distress, a jury found on Wednesday, a landmark decision that could open social media companies to more lawsuits over users’ well-being.

[…]

Citing features like infinite scroll and algorithmic recommendations, K.G.M. sued Meta, which owns Instagram and Facebook, and Google’s YouTube, claiming they led to anxiety and depression.

Nick Heer:

For its part, the Wall Street Journal editorial board is standing up for beleaguered social media companies in an editorial today criticizing everything about these verdicts, including this specific means of liability, which it calls a “dodge” around Section 230.

[…]

Product design, though, is a different question. It would be a mistake, I think, to read Section 230 as a blanket allowance for any way platforms wish to use or display users’ posts. (Update: In part, that is because it is a free speech question.) From my entirely layman perspective, it has never struck me as entirely reasonable that the recommendations systems of these platforms should have no duty or expectation of care.

Nick Heer, on an April Massachusetts lawsuit:

To me, a non-lawyer, much of the actual text of the ruling (PDF) explaining why this lawsuit was not immediately turfed on Section 230 grounds seems pretty reasonable. For example, the judge says “[u]nder the default settings, Meta enables approximately forty types of notifications” for the Instagram app, which the government alleges “is designed to overwhelm young users and compel them repeatedly to reopen Instagram”. We can argue whether this is a meaningful thing for a government to police or if it is just another example of Meta resorting to tacky growth-hacking techniques instead of trusting their product is sufficiently compelling on its own. (Most days when I open Instagram in my browser, it puts a red badge over the notifications tab and suggests I have one new follower. I do not; I never have. It lies to me every time, presumably because it knows most people, including me, will usually click on that, thereby increasing a number on a dashboard somewhere.)

Mike Masnick:

couple weeks back, Jonathan Haidt published another entry in his ongoing campaign to convince the world that social media is inherently ruining kids’ lives. This one was a victory lap titled “Seven Lines of Evidence Against Social Media,” treating recent developments — including the social media addiction verdicts against Meta that most people are misunderstanding — as vindication of his thesis.

[…]

But then something inconvenient happened for Haidt’s thesis: Pew went and did a brand new study exploring teens’ experiences on TikTok, Instagram, and Snapchat. This one asked the kids themselves.

[…]

Indeed, the research repeatedly suggests that for the very small number of kids who are facing mental health problems and overrelying on social media in response, the answer is a targeted intervention to help those individuals — not a broad “ban kids from social media” program.

Previously:

Beyond Streaming: Why and How to Download Videos from YouTube

12 July 2026 at 22:38
Can’t stream a YouTube video on a plane? Worried that a rare concert recording will disappear? Need to edit a clip for a presentation? Here’s why TidBITS Talk readers download YouTube videos—and which apps they recommend.

macOS Hidden Treasures: Copy and Paste

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