At Macstock, Alessandra White explains how blockchain can give creators greater control and permanence over their digital content. She discusses Hive, decentralized publishing, digital sovereignty, and ways creators can preserve posts and videos beyond centralized platforms. The conversation also examines blockchain’s permanence, including the trade-off that published material cannot simply be deleted…ever. http://traffic.libsyn.com/maclevelten/MV26229.mp3 This MacVoices […]
The June 2026 update, preview Chuck's upcoming trip to MacStock, encouraging attendees to introduce themselves. The also outlines the last of the NAB interviews, recaps participation in MacPaw’s Flip the Script event during WWDC and announces the launch of the new MacVoices Merch Store. The update wraps by encouraging YouTube subscriptions and thanking Patreon supporters.
This time, the Road to Macstock takes us to Katie Fawkes, Director of Marketing and Doc Rock, Director of Strategic Partnerships for Ecamm, who talk about both their Creator Camp the day before Macstock, as well as their session during Macstock. They discuss how the hands-on event will help users of all experience levels build confidence with video production. They also cover Ecamm’s broader role beyond live streaming, practical uses for creators and businesses, the value of experimenting with gear, and why Macstock's welcoming community makes it a special gathering.
From NAB 2026 in Las Vegas, Skylar Holtzman of Presaige introduces their AI-powered content improvement tool that predicts how engaging images and short videos will be before posting. The discussion covers scoring, recommendations, thumbnail selection, carousel ordering, video limits, privacy, proprietary AI, pricing tiers, creator use cases, and API integration.
The MacVoices Live! panel examines Spotify adopting Apple-backed video podcast technology, Instagram’s disappearing posts and why anyone would want them, and Microsoft expanding Copilot everywhere, whether it is a good idea or not. Chuck Joiner, David Ginsburg, Jeff Gamet, Guy Serle, Web Bixby, Eric Bolden, Marty Jencius, and Jim Rea also look at the risks of putting AI mini data centers in homes, and Plex’s major lifetime Pass price hike.
In the CYME booth at NAB in Las Vegas, Matthieu Kopp, Chief Technology Officer, previews the next Peakto release, highlighting support for much larger media libraries, expanded collaboration, guest sharing, and secure on-premise access without cloud uploads. He also discusses other features such as new culling tools, improved ingest control, subclips for video workflows, and […]
On the show floor at NAB in Las Vegas, Jim Tierney of Digital Anarchy discusses ShotNotes, a Premiere Pro panel that keeps project notes, time codes, links, timers, and collaboration details inside the edit instead of scattered across documents or sticky notes. He also previews Beauty Box Video AI development and explains where generative AI can help video pros, where traditional AI still shines, and why AI is useful but not a magic bullet.
At NAB 2026, Russell Pompea, Account Executive from Topaz Labs, discusses major advances in Topaz Video, including Starlight Precise 2.5 for restoring low-quality footage, SDR-to-HDR conversion, and Apple Silicon optimization. The conversation also covers Topaz’s photography tools, model customization, subscription pricing, local vs. cloud processing, and shared responsibility for cloud security.
In the Riverside booth at NAB in Las Vegas, Danielle Baxter, Business Development Representative, explains how the platform supports podcasting, video interviews, webinars, testimonials, and live streams. She covers options like local recording, separate audio and video tracks, browser-based guest access, built-in editing, branding, captions, producer mode, and flexible plans for solo creators and businesses.
From NAB in Las Vegas, Dan May, President of Blackmagic Design, talks about DaVinci Resolve 21, local AI tools, the new photo page, Blackmagic Cloud collaboration, Fairlight Live, and the free Blackmagic Camera app. The conversation highlights Blackmagic Design's focus on accessible professional tools and creator growth paths.
"I big, I punch," is probably the most effective and concise way of summing up the last three seasons of Reacher on Prime Video. Alan Ritchson's titular hero has slammed, drop-kicked, and battered his way through three separate stories to date, but Reacher season 4 has something new to offer.
Instead of honing in on Reacher's past or personal vendettas, our eight new episodes are ones of political espionage. Adapting the Lee Child novel Gone Tomorrow, he instead becomes embroiled in a CIA conspiracy after suspecting a woman on a New York City subway train is actually a suicide bomber. It's drama that makes you think, for the first time ever in this franchise.
It's a big tonal swing, and probably a risk that the crime drama needed to take four seasons in — but that doesn't mean it's completely paid off. In a nutshell, getting to the bottom of a big city political scandal has never made me yearn for the small-town days of seasons gone by more.
Clearly, this is part of Reacher's big-picture thinking. Seasons 1 and 3 were based in more rural locations, with seasons 2 and 4 respectively based in New York and Philadelphia. We already know that Reacher season 5 will be set in Oklahoma (like the novel Make Me), and I'm desperate to get there.
Does Reacher really have the chops to dig deeper into its punchy action? Probably not. I doubt we'll see the show stray back into these waters again, and there's good reason why.
Jack Reacher isn't the right action hero to lead a political espionage investigation
If the line "Oh no, I got it wrong!" is your signal to the audience that a dramatic twist is about to take place, then you're likely in over your head. This dialogue passes Reacher's lips halfway through season 4, with our bullish hero a fish out of water, scrambling through a plot that's much bigger than he could ever properly cope with.
On the one hand, I like that this level of insecurity humanizes Reacher more. There's always been more to him than just being muscle and meat hooks in a T-shirt, but now he's able to put his money where his mouth is. Selflessness, understanding, and the ability to be vulnerable flow out of Reacher abundantly in a way it never could have before, and I appreciate that.
However, let's not do this kind of storyline again. Our overarching threat is simultaneously too complicated to fully sink your teeth into and too mundane to actually bother caring about it. The armchair detectives among us will work out who is the 'villain' underpinning Reacher's latest disaster in a matter of seconds, and between season 4's beginning and end, you'll need a notepad and pen to keep up.
I think that an obstacle hidden in plain sight is the fact that Reacher himself doesn't have the same gravitas in a city as he does in a town. Plop him in the centre of Georgia, and he'll obviously scare the crap out of everyone around him. But in New York and Washington, D.C., he's a mere fly in the ointment. Add in a subpar storyline, and Reacher season 4 isn't exactly making its mark in an already oversaturated genre.
However, this might be Reacher's best supporting cast to date
(Image credit: Prime Video)
But let's stop being a Debbie Downer... It's clobbering time! For surface-level viewing, Reacher season 4 is ticking every box you'd expect after its last three seasons, and that makes for some satisfying weekly viewing.
The secret weapon, however, is its supporting cast, which may just be my favorite of all we've had to date. New additions Tamara Green (Sydelle Noel), Jacob Merrick (Christopher Rodriguez-Marquette), and Russell Plum (Kevin Weisman) are Reacher's unlikely gang of allies, and the uneasy friendships that develop between them are the relationships that you're really rooting for.
Together, the awesome foursome drive the excitement of the piece, and help us paper over anything that isn't really gelling together in the story itself. We're desperate for them to break the rules and stick two metaphorical fingers up at authority, and they routinely indulge us. Best of all, our trio of newcomers pulls out all of Reacher's caring traits that we're desperate to see, even if they all make a few bad decisions along the way.
Without giving anything away, there are definitely some distasteful tones bubbling underneath the surface, particularly around how the story approaches sex work and, well, women in general. But hey, who cares when Reacher is going to punch something and take his shirt off, huh?
Reacher season 4 begins airing on Prime Video from August 12.
Pensada para criadores de conteúdo, designers e outros utilizadores interessados no mundo da edição visual, a Effect.app permite aplicar vários efeitos a fotografias e vídeos, experimentar diferentes estilos e guardar combinações personalizadas, sem precisar de recorrer a software de edição complexo.
The next big push for Apple Immersive Video on Vision Pro has been revealed: live baseball games. Starting August 28 and running through the rest of the regular MLB season, the company will stream one real-time immersive matchup per week exclusively on Vision Pro as part of its Friday Night Baseball lineup on Apple TV.
Immersive games will feature an in-stadium experience with Spatial Audio captured by ambisonic microphones, special graphics like team lineups and stats floating in view, and a dedicated commentary team made up of play-by-play commentator Paul Severino, analyst Xavier Scruggs, and sideline reporter Michelle Margaux. If you’ve seen any of the immersive Lakers basketball games broadcast this year, you have an idea of how these elements come together with Immersive Video to create a rich, lifelike experience.
Friday, September 4
Los Angeles Angels at Pittsburgh Pirates
6:30 p.m. ET
Friday, September 11
San Diego Padres at San Francisco Giants
10 p.m. ET
Friday, September 18
San Francisco Giants at Los Angeles Dodgers
10 p.m. ET
Live immersive games will be available to Apple TV subscribers via the TV app on Vision Pro in Australia, Canada, Germany, Hong Kong, Japan, South Korea, Taiwan, the UK, and the U.S. Full game replays and highlights will be made available after the games are over as well.
Streaming Friday Night Baseball in Apple Immersive Video seems like a natural move for Apple to make. The company has been airing baseball games on Friday nights for four years now and has worked to integrate more of its technology into the broadcasts. Plus, MLB has already won many baseball fans over with a fantastic enhanced viewing experience for baseball games in its own visionOS app. Just as Apple is beefing up its sports offerings in the Apple TV service with MLS and F1, so it’s rounding out its sports strategy on the Vision Pro with a regular output of live baseball.
To me, there’s nothing that quite matches the energy and sense of camaraderie you feel when you walk into a baseball stadium. Apple Immersive Video is a powerful medium for recreating in-person experiences, so I’m very keen to watch one of these live games for myself. If Apple’s immersive baseball games can offer a taste of what it’s like to actually be in the stadium – and based on what we’ve seen from the format before, I think it’s likely – this will quite a compelling way to watch some baseball.
Reacher season is my favorite time of year, and season 4 will account for much of my screen time over the next few months.
If you remember, the end of season 3 saw Reacher (Alan Ritchson) finally kill Quinn (Brian Tee) point-blank with a shotgun after reminding him of how he murdered Kohl (Mariah Robinson).
Reacher then, as is is way, leaves town... but does that mean that the drama stops? Of course not — it's just a new beginning (especially as season 5 has already been confirmed).
I haven't even seen any previews yet, but my advice is to strap in for what could be the wildest ride yet. But when do Reacher season 4 episodes 1-3 arrive on Prime Video?
What time can I watch Reacher season 4 episodes 1-3 on Prime Video?
We're expecting episodes 1-3 of Reacher season 4 to be available on Prime Video on August 12 at 12am PT / 3am ET in the US.
Internationally, look out for the below times:
US – 12am PT / 3am ET
Canada – 12am PT / 3am ET
UK – 8am BST
India – 12:30pm IST
Singapore – 3pm SGT
Australia – 6pm AEST
New Zealand – 8pm NZDT
When do new episodes of Reacher season 4 come out?
(Image credit: Prime Video)
After its three-episode premiere, Reacher season 4 episodes will be airing on a weekly basis. This gives us the following season schedule:
Episode 1: August 12
Episode 2: August 12
Episode 3: August 12
Episode 4: August 19
Episode 5: August 26
Episode 6: September 2
Episode 7: September 9
Episode 8: September 16
Interestingly, the Reacher season 4 finale coincides with the day that all episodes of spinoff Neagley will arrive on Prime Video.
A worker at a US government lab got bitten by a monkey carrying a deadly virus, and it turned out nobody knew what to do about it. Around the same time, someone from the same lab tried to smuggle outbreak samples into the country. All of this while everyone's worried about AI making bioweapons. Let's take a look.
FaceTime Dual Capture is bringing simultaneous front-and-rear camera streaming to video calls in iOS 27, allowing compatible iPhones to show the caller and their surroundings without repeatedly switching between cameras.
The feature expands technology Apple introduced with the iPhone 17 family. Dual Capture already allows the Camera app to record through the Center Stage front camera and a rear camera at the same time. iOS 27 brings a similar capability directly into live FaceTime calls.
During a call, the front camera can continue showing the speaker while the rear camera displays whatever the iPhone is pointing toward. Someone attending a concert can share the performance and remain visible. A parent can show a child playing without disappearing from the conversation. A person asking for technical assistance can remain on screen while directing the rear camera toward the equipment causing the problem.
Dual Capture removes the awkward sequence of switching to the rear camera, showing something, and switching back to continue speaking face to face. Both perspectives remain available inside the same call.
Image Credit: Thomas Trutschel Photothek/Getty Images
FaceTime Dual Capture Changes Camera Switching
The normal FaceTime camera control changes from a simple front-or-rear choice on supported iPhones. When the caller activates the rear camera, iOS 27 keeps the front camera visible by default.
The main view displays the rear camera feed while a smaller window contains the front camera image. This picture-in-picture arrangement gives the other participant a continuous view of the caller’s reaction, commentary, or explanation.
To activate both cameras during a supported FaceTime call:
FaceTime > Start a video call > Tap the Flip button
Tapping the Flip button turns on the rear camera without immediately removing the front view. The other participant begins receiving both perspectives as part of the FaceTime stream.
The caller can disable the front view when it is no longer needed. This provides a conventional rear-camera presentation for situations where the surroundings should occupy the complete image.
To return to a single camera view:
FaceTime > Tap the camera view > Disable the front camera
The exact labels and placement may change before the public release of iOS 27 because the feature is still being tested in beta software. Its basic behavior is already established: the Flip control activates the rear camera while retaining the front camera feed.
Dual Capture does not create two independent FaceTime calls. Both images belong to one video stream, so the caller does not need a second account, device, or invitation.
The feature also differs from screen sharing. FaceTime screen sharing transmits applications and interface activity from the iPhone display. Dual Capture transmits live video from two physical cameras.
Image Source: Google
Which iPhones Support Dual Capture
Apple has limited FaceTime Dual Capture transmission to the iPhone 17, iPhone 17 Pro, iPhone 17 Pro Max, and iPhone Air. Each model includes Apple’s 18MP Center Stage front camera and the Dual Capture capability introduced in the Camera app.
An older iPhone that supports iOS 27 cannot originate a Dual Capture stream. It continues to use the normal option of selecting either the front camera or a rear camera during a call.
Older models can still receive and display a Dual Capture feed when they are running iOS 27. This allows an iPhone 16 or another supported device to see both views transmitted from an iPhone 17, even though it cannot send the same presentation back.
Both participants need iOS 27 for the new FaceTime layout to work as intended. The transmitting device must also be one of the supported iPhone 17-generation models.
This limitation is based on Apple’s official feature support rather than the simple presence of front and rear cameras. Earlier iPhones have camera hardware capable of operating in several multi-camera applications, but Apple has not extended its native Dual Capture implementation to them.
Third-party applications have offered forms of simultaneous multi-camera recording for years through Apple’s developer frameworks. The difference is that iOS 27 integrates the experience into FaceTime, where users can activate it through the familiar camera-switching control.
iPhone 17 Owners Receive a Second Dual Capture Feature
Describing FaceTime Dual Capture as retro-compatible with the iPhone 17 does not fully explain its relationship with the hardware. The iPhone 17 family introduced Apple’s native Dual Capture recording in 2025, and iOS 27 now gives that existing camera system another purpose.
Inside the Camera app, Dual Capture produces a saved video containing front and rear views. Apple lists support for recording at up to 4K Dolby Vision at 30 frames per second on the iPhone 17.
FaceTime uses the camera pairing for live communication instead. Network quality, bandwidth, device temperature, and FaceTime processing can affect the transmitted resolution, so users should not assume that a call will preserve the Camera app’s maximum 4K recording specification.
The Center Stage front camera also contributes more than resolution. Its square sensor gives the iPhone greater freedom to adjust framing without requiring the device to be physically rotated. Center Stage can help keep the caller positioned inside the smaller front-camera view while the rear camera follows the subject being shared.
That combination makes Dual Capture more useful than placing two untreated camera feeds beside each other. FaceTime can preserve the speaker’s presence while directing most of the screen toward the event, object, or location being discussed.
The feature may require more processing power and energy than an ordinary single-camera call. Running two camera sensors while encoding and transmitting live video can increase battery consumption and device temperature, especially during long calls over cellular data.
Apple has not published separate battery estimates for Dual Capture FaceTime calls. Users planning extended sessions may want access to power and a stable Wi-Fi connection.
iOS 27 Prepares FaceTime for iPhone 18
FaceTime Dual Capture arrives shortly before Apple’s expected iPhone 18 generation, making it likely to become part of how the company demonstrates the new phones’ camera and communication abilities.
Apple has not announced the iPhone 18 lineup or confirmed its final camera specifications. Compatibility with FaceTime Dual Capture is therefore expected from the software’s “iPhone 17 and newer” positioning, but individual iPhone 18 models should not be treated as confirmed until Apple presents them.
The software release gives existing iPhone 17 owners access without requiring another hardware purchase. That approach also provides Apple with a working FaceTime feature before the next iPhone launch rather than introducing the camera mode and communication interface at the same moment.
Future hardware could improve the experience through faster processors, stronger image stabilization, upgraded sensors, or more efficient video encoding. None of those additions is required for the supported iPhone 17 family, which already contains the camera system needed to transmit both views.
Dual Capture is only one part of the FaceTime update. Apple is also improving video-call quality when the network connection is weak, addressing a problem that becomes especially relevant when two live camera views require transmission. Traditional Chinese support is joining FaceTime Live Captions as well.
The weak-connection improvement may determine how dependable Dual Capture becomes away from Wi-Fi. A feature designed for travel, events, repairs, and outdoor calls needs to tolerate changes in cellular bandwidth without freezing both views or forcing the session to end.
FaceTime Dual Capture remains part of the iOS 27 beta as Apple prepares the public update for September. Apple can still adjust the interface, performance, device requirements, and picture-in-picture behavior before the completed software reaches iPhone 17 owners.
In this episode, SpaceNews’ Emma Gatti leads a panel of experts to discuss Europe’s defense posture and the reaction to space threats. This session was recorded in May at SpaceNews’ […]
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