'I Am the Night: The Ultimate Unauthorized History of Batman: The Animated Series' chronicles the show through candid interviews and behind‑the‑scenes stories from the creatives who changed animation forever.
Warner Bros. Clockwork's uncensored, 4K restoration of the elusive, controversial 1971 cult horror film is the most awe-inspiring cinematic experience I've had all year.
Showrunner Bartosz Sztybor says CD Projekt RED and studio TRIGGER wanted the Netflix sequel series to dial up the retro anime homage with a brutally unglamorous view of Night City.
io9 spoke with director Na Hong‑jin and 'Squid Game' star Hoyeon about the sci-fi film's wild ending—and whether 'Hope' was intended to launch a franchise.
Akane Torikai's speculative fiction manga flips the familiar post-male premise to highlight how the continuity of bodily autonomy in patriarchal society is policed no matter who's in charge.
George Wada teases the 'Spy x Family' studio's upcoming show, 'Lona,' and talks about the company's stance on AI and worker protections and the ambition behind 'The One Piece' remake.
Studio OUTLINE's reimaigining of Osamu Tezuka's 'The Princess Knight' is a kick-ass anime film whose heart makes up for its whimsically off the rails final act.
GKIDS’ upcoming World War II anime film is teeing up an essential double feature confronting the horrors of war through the bewildered resilience of children forced to make sense of it all.
Cinema Fantasma’s wildly imaginative, hand‑crafted gothic fable more than lives up to its status as Mexico’s first stop‑motion feature—and it’s streaming on Netflix.